The purpose of this assignment is to get some experience in crafting a narrative. Due to social distancing and time constraints, this will not be so much a documentary project in the classic sense as it would be to structure a visual narrative that has "a story." One of two options had to be picked: 1) A Day in the Life of… 2) A Thanksgiving Story.
I chose to do Option 1, A Day in the Life, representing 24 hours in somebody's Life. Due to COVID safety protocols and my housemates' adamant unwillingness to be documented on camera, I chose to do my day and how its narration related to the evidence of my housemates' existence. A brief description of our communal household: there are two people on the third floor, three people on the second floor, the first floor is the kitchen and shared space, and one person, the landlord, in the basement. Pre-COVID, due to my work, freelance, and class schedule, I could easily go up to a month without seeing any of my housemates. Post-COVID, I can still go a few days without seeing anyone. I always hear them, and often there are traces of them being present, but we mostly keep to ourselves and aren't a very "communal" home.
Photographer's Note: To respect my housemates' privacy, I will only refer to them by their first names.
REFLECTION
Now that we are headed into the end of the semester, I feel like every assignment has given me some anxiety, proportional to my comfort level. After I read this assignment, I screamed internally that I wish this weren't during COVID times. If this was the before times, there was a good chance I would have traveled to Mississippi to visit my mother, who just turned 81. I would have LOVED to document her "day in the life," especially for my memories. Plus, despite her annoyance, I could have easily photographed her without issue. Unfortunately, the reality was, I am stuck in a home with housemates that are firmly against being photographed, so my anxiety at being able to complete this assignment in a way that felt true to my standards had me all up in my head.
Thanks to some helpful brainstorming from my friend Le Huong and TA Nafis, I came up with the idea of documenting the impression of my housemates since we rarely see each other in person. (Example, we send group emails, not even texts, to communicate with each other.) I realized I would need to draw from what I learned from the Eggleston Assignment and the rules of composition to capture the mundane moments which were traces of their existence.
On the technical side of things, I knew I wanted to try to shoot this in black and white since we had not been able to do this in this course yet. It was a new experience, and I was thankful for the recommendation to change my viewfinder to show in B&W. This camera setting helped me take stock of the lighting for each room. I also utilized the white balance settings and alternated between auto for most daylight shots, and tungsten for the photos shot indoors after the sun went down. I did have to remind myself to bump up my ISO to 800 or 1600 and use a tripod. After the first two days of shooting around the house, I noticed that individual rooms, even during the day, the photos had subtle blur, so I started carrying around my camera with the tripod attached. I also found it very challenging to keep the images consistent. Despite being all black white, shooting them in either daylight or inside lighting meant they carried different moods, so I spent time in Lightroom trying to even them out.
I found this assignment different in the process of choosing photos. I took about 180 photographs. I found choosing which photos more challenging during other assignments, and it took me longer to decide. In this assignment, since I was trying to tell a particular "story," it was easier to cut photos as it didn't matter if I liked how they looked. If they didn't fit the story, they had to go. I was able to whittle down to about 30 photos pretty quickly, and then the challenge was then which 10-15 fit the story. Also, I found it very difficult to capture and choose the first and final photos for this set. I know part of this was because I was choosing to photography traces of people, as opposed to people, and mentally, it was hard to wrap about the idea that an object could be as compelling as a person. I also found it a challenge to decide how to present the photos in this story format. I don't know if the setup I finally decided on was effective, so I want to see what other people did and look at more photographers' websites.
Overall, I did not feel my submission for this assignment was very strong and was a bit disappointed in myself. While I found individual photos strong, I feel like I could have created a stronger story. If I could have, I would have probably chosen a different subject matter. My take away from this assignment is that you can direct the story, like a movie, as a photographer. The "white chair" photos by Greg Marinovich also showed me this, except for me, it was the white paper towel. What do you want the viewer to take away from these photos is really up to the pictures you decide to share and the sequence in which you present them. It makes me understand the importance of the beginning and ending photos to capture interest or set the mood. I would love to do this project again, in non-COVD times, with people like my mom or some of my close friends. While the day in the life might seem a bit intrusive to the subject, I love this project's honesty using a "regular" person. I don't assume that I'll ever be in a situation that I'm documenting a crazy event or conflict, but this made me realize you can capture people or things in your life with the same kind of interest.